For anyone familiar with the field of International Relations (or political theory, philosophy, or sociology), the OD definition of post-truth is bound to be unsatisfying. Is public opinion normally shaped by ‘objective facts’? What are ‘objective facts’ anyway? Are they necessarily in conflict with appeals to emotion or personal belief? And if the kind of circumstances described have indeed emerged, why did they come about? What are their implications for democratic politics or international relations?
If the term ‘post-truth’ is to do any scholarly work whatsoever, I argue, a more direct and thorough conceptual engagement is needed. Concepts, after all, are devised to make phenomena more clearly visible and open to analysis. Engaging in the task of conceptualizing post-truth politics, furthermore, has the potential of productively broadening the ways in which truth is approached in International Relations and beyond.
Structurally, post-truth relates to an erosion of the common world due to the increasing irrelevance of factual truth in public discourse. This process can be traced to changes in the media-economy-politics complex. The emergence of the ‘Lies, Inc.’ and the general rise of public relations-led politics have substantially contributed to the cynicism over facts. The increasing overlap of media, politics, and entertainment, together with drastic changes in the media ecosystem itself and the declining trust in mass media, are also to be taken into account. They create the conditions for the subjectivization of shared facts and open the doors for actors like Donald Trump, capable of capitalizing reality TV experience for the purposes of manipulating the media and public discourse.
What is Post-truth Politics?
Post-truth politics, I contend, ought to be understood as a predicament in which political speech is increasingly detached from the factual infrastructure. Consequently, our ability to react to political events and to engage in a democratic process of opinion-formation is compromised. This definition differs in particular from those that equate post-truth with the death of expertise. I also think we must be much more precise regarding the role of emotions in the production of post-truth. Defending truth might involve as much emotion as violating it.Most potent examples of post-truth politics as a style available to individual politicians are instances in which outright lies about things that technically anyone could verify are used – albeit perhaps not always consciously – for various political purposes towards both adversaries and one’s own supporters. This can mean, for instance, denying something obvious, trivial, or seemingly uncontroversial or making up an event that never happened. Both tendencies are frequent among the Trump administration, as exemplified by the dispute over the inauguration audience, and Kellyanne Conway’s invocation of ‘Bowling Green massacre’.
Such claims, I argue, are not primarily attempts to convince or persuade. On the contrary, their main impact is the creation of confusion, anger, and disorientation. Hijacking attention is the key here, and has little to do with letting the best argument win. Outrageously false claims seek to make ‘normal’ political debate and critical scrutiny of policies impossible. They easily direct attention away from the details of policies, and can shape public discourse even when being refuted. Counteracting such play-dirty-to-win strategies has proven challenging.
Even the more conventional array of lies produced by Trump are characterized by carelessness, shamelessness and numerousness. Many of his lies are misrepresentations of long-term processes in his own favor, false statements about media coverage, or lies about numbers – most recently about the number of victims of hurricane Maria in Puerto Rico. When lies become prevalent enough, the media and democratic audience easily become disoriented, lose the basic coordinates that usually support critical scrutiny.
The type of mendacity linked to post-truth is closely related to what Harry Frankfurt famously described as ‘bullshit’. Yet, I argue, the two are not exactly synonymous. Both forms of speech are indifferent towards the truth-value of statements, which distinguishes them from traditional lies. Frankfurt, however, also describes bullshit as being ‘carefully wrought’ and requiring ‘thoughtful attention to detail’. It cannot be based on whim, but is produced by ‘exquisitely sophisticated craftsmen who – with the help of advanced and demanding techniques of market research, of public opinion polling, of psychological testing, and so forth – dedicate themselves tirelessly to getting every word and image they produce exactly right.’
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